In an effort to visually articulate the multifaceted reality of Muslim life in the United States, artist Mahtab Hussain is undertaking an expansive 90-day photographic expedition across the nation. This journey is designed to broaden his ongoing project, initiated in 2021, which aims to present a collective self-portrait of Muslim Americans, showcasing their diverse experiences and challenging prevalent stereotypes. By documenting individuals and communities, Hussain seeks to emphasize their sense of belonging and spiritual contributions to American society.
Hussain's ambitious endeavor builds upon a foundation laid in 2021, a significant year marking two decades since the events of 9/11. At that time, he commenced a series of compelling portraits, accompanied by video and interviews, across half a dozen American cities. This initial phase successfully highlighted the rich tapestry of Muslim communities, revealing their varied backgrounds and contributions. The current 90-day journey is a strategic expansion, envisioned to traverse the country from east to west and north to south, culminating in a more extensive body of work that truly encapsulates the presence of Muslims throughout the American landscape.
The motivation behind this project is deeply rooted in a desire to counter prevailing narratives. Hussain notes that following 9/11, many Muslims felt compelled to maintain a low profile. However, a new generation is emerging, actively seeking visibility, understanding, and asserting their identities in distinctly American ways. This photographic exploration is fundamentally about demonstrating how this presence feels—a narrative of integration and shared existence, rather than one of being an isolated problem. It underscores the profound role of spirituality in their daily lives and their inherent connection to the broader American story.
The itinerary for this monumental road trip includes visits to a diverse array of Muslim communities across the United States. Key locations slated for documentation span various regions, including South Paterson, New Jersey; Minneapolis, Minnesota; Islamville, South Carolina; Islamberg, Tompkins, New York; Dearborn, Michigan; Horn Lake, DeSoto County, Mississippi; Houston, Texas; and the iconic Grand Canyon in Arizona, among others. These carefully selected destinations represent a broad spectrum of Muslim experiences and communities, promising a rich and varied photographic collection.
Hussain articulates his artistic philosophy for this project, stating that those he photographs are not mere subjects but co-authors in a shared journey. He hopes that the resulting series will illuminate the powerful concept of "Umma"—a term signifying the global Muslim community—and its ability to connect Muslims irrespective of their geographical location or background. Through his lens, he endeavors to capture the vibrancy and resilience of these communities, celebrating their individual uniqueness while actively dismantling misconceptions. Each image and subsequent exhibition serves as a profound narrative, an invitation for connection, and a poignant reminder of our shared humanity.
To bring this extensive project to fruition, Hussain has launched a crowdfunding initiative, inviting public support for his vision. This campaign, active until May 18, 2026, is crucial for funding the logistical demands of a cross-country journey and ensuring the comprehensive documentation of Muslim American life. The success of this endeavor will enable a broader understanding and appreciation of Muslim identities, fostering a more inclusive portrayal within the national consciousness.